The New York Times

After producing the Formula 1 Miami Grand Prix Paddock Club, Fortune 500 dinners or weddings around the world, I’ve learned that clients investing at this level aren’t just paying for flowers and linens. They’re partnering with experiential design studios that bring strategic vision, institutional knowledge, and the operational sophistication to transform their celebration into a cultural moment.

The million-dollar celebrations featured on Instagram rarely reveal what’s actually behind them: years of cultivated vendor relationships, proprietary production methodologies, and design expertise that can’t be replicated.

Pleased to contribute to The New York Times‘ examination of luxury event economics and the expectations gap created by social media.